But is it Art?

abstract photo
The image in question

This is a bit odd but it’s mine and I like it so I’m going to share it anyway. It raises two good questions. I will deal with the simpler one first.

What is it?

The image is a photo – a very bad photo, technically – straight off my camera. Late in the evening, when there was just enough light to see it, something hopped into the ashes of a long-cold fire pit at the Alligator Creek Falls camping ground. Shooting first and checking camera settings later, this is what I got.

The camera (DSLR) happened to be set on aperture priority (f3.5) and ISO 400, so its exposure time automatically stretched to half a second because of the dim light. The camera moved in that time, of course. The loose ash may have contributed to that nice soft effect, too, but I’m not sure. The pinks and browns were mostly invented by the camera, its automatic colour balance trying too hard to make something out of a background which was nearly all greys (there were a few pinkish fallen gumleaves in the ashes). The fact that the composition was satisfactory was mostly luck, too, since I could barely see my subject.

Really, I’m surprised that anything at all was visible in the image, let alone that it was attractive.

But is it Art?

Purely as an image, it’s almost abstract and vaguely organic. The colours and textures have reminded some people of a chalk sketch. I would be quite happy to print it and put it on my wall, but is it art?

A ‘work of art’ is firstly a work, something made, and this is something found (on my camera, that is). Not that photographs can’t be art, but art also has an intentional aspect and this image was fortuitous from start to finish. “Art is not what you see, but what you make others see,” according to Degas, and that doesn’t apply here either.

If it is art, then, my image can only be art in the same sense that Duchamp’s urinal or, more recently, the banana duct-taped to a wall are art: “everyday objects raised to the dignity of a work of art by the artist’s act of choice,” as Duchamp said.

But if it isn’t art, what is it?

As a found object, however, perhaps my image is most akin to the pretty pebbles or seed-pods we pick up on our excursions and display on a window-sill when we get home. So yes, it’s okay to frame it and hang it on the wall (which automatically and in this case misleadingly makes it look like art) even if it isn’t art.

All of which says something about how we think about art.

But what is it? Really?

Oh, you would like to know what the subject is? That’s less interesting, but okay. Here’s a more documentary, less sketchy, photo of it a minute or two later after it had hopped out of the fire-pit and I had organised my camera.

Still dusted with ash

Yes, it’s a cane toad.

If that makes us respond more negatively to my top photo than we did before, that says something about how we think about depictions of the natural world.

Dry lands from above

I spent quite a bit of time on Google Maps’ satellite views while I was planning a trip out West, and realised that they reminded me of some abstract art I have seen recently. This led to some not-too-serious but satisfying digital experimentation. Here’s one example.

aerialview of queensland desert

Where to share the results was the next question. In the end I put them on Green Path, my wildlife and environment blog, near reports and photos of the trip. If you like this one, follow this link to find two more.

The Rubaiyat – editions and illustrations

Fitzgerald’s Rubaiyat of Omar Khayyam was enormously, and deservedly, popular from the 1880s through to at least the 1930s. It is a strange amalgam of mediaeval Arabic and mid-Victorian English poetry, however, not really a translation and never even pretending to be an exact one. Lowell put it rather nicely:

Lowell's epigraph for Harrap's edition of the RubaiyatThe reality is that Fitzgerald selected verses from a collection attributed to Khayyam, translating them very freely and arranging them thematically into a kind of meditation on fate; but many of the verses were later found to have been by other writers of Khayyam’s time or later.

The details are now well known and Wikipedia’s article on the Rubaiyat is uncommonly thorough, so I will leave it at that in favour of sharing some of the artwork in old published editions we have collected over the years.    Continue reading “The Rubaiyat – editions and illustrations”

Analogue : Digital

If we wander into any art gallery which shows a variety of work we are likely to see pictures identified as “digital images”, but the term is problematic. An “image” is something we see, but in what ways can an image be “digital”? And what, really, is the artwork?

Analogue vs digital

Technically, digital is contrasted with analogue. Analogue changes in any quantity are continuous, i.e. smooth at every scale, while digital changes are discrete, stepwise. For instance, the minute hand of an analogue clock moves smoothly and its position can be read to any desired accuracy, while a digital clock will say the time is (e.g.) 8.22 p.m until it says 8.23 p.m.

Continue reading “Analogue : Digital”